Eran Dinur reveals how his team meticulously recreated period accurate crowds in Tokyo and Wembley while keeping the digital work entirely invisible. For Eran, the ultimate compliment is a viewer who walks out of the theater believing every single frame was captured in camera.
Clear Angle Studios discusses photogrammetry booths, LiDAR scans and other capture on big projects. The company is responsible for scans of actors, locations, and props on many big productions. These include, recently, Wicked: For Good, Superman, and Stranger Things season 5.
Ian Failes from befores & afters chats to Phil Tippett about a couple of projects he has in the works - including what could be a follow-up to MAD GOD.
The music of Hamnet, discussed by Max Richter and guest host Jon Burlingame. In their conversation, Richter shares how early musical sketches shaped the production, how he blended period instruments with processed textures, and how the film’s psychological and natural landscapes guided his approach.
Dolby Labs sits down with Jon M. Chu and Alice Brooks to discuss the look and feel of the Wicked follow up.
A discussion about tech, rendering, de-noising, data flows and, yes, AI.
Supervising Sound Editor, Re-recording Mixer, and Sound Designer Mixer David Acord and Supervising Sound Editor and Dialogue & ADR Supervisor Margit Pfeiffer join us to discuss the powerful, visceral sound of the final season of Andor.
In the final episode of season one, Shannon Tindle and John Knoll return to Lighter Darker to discuss the much-debated use of lens flares in film and animation.
Production designer Jeremy Hindle and visual effects supervisor Eric Leven join Lighter Darker to talk through their work on Severance season two.
For this special Halloween Edition, the team flashes back to Ghostbusters II with VFX legend Bill George who shares stories from the model shop.
What’s really going on in the visual effects industry? Emmy-nominated VFX executive and HDRI Consulting founder Joseph Bell joins host Paul DeNigris.
'The Creator' director Gareth Edwards and Industrial Light & Magic visual effects supervisor Jay Cooper talk to Ian Failes from befores & afters.
Framestore's very special guests for part two are Kathleen Rufallo, Julia Marrone and Margot Ingrassia.
Dolby Labs are joined by Academy Award®-nominated cinematographer Hoyte Van Hoytema, ASC, FSF, NSC. He discusses how he got his start in the film business, working with Christopher Nolan, shooting “Oppenheimer” on film, how they did all those in-camera practical effects, and his fears about creating a dynamically visual film… with so much dialogue.
The incredible new adaptation of Dune, from director Denis Villeneuve, has some astonishing sound work, fully embracing the immersive capabilities of Dolby Atmos®.
The Dolby® Institute and the SoundWorks Collection have collaborated to produce a series of podcast conversations with the artists nominated for Academy Awards® for Best Achievement in Sound Editing and Best Achievement in Sound Mixing.
Honorably mention here for The Sh*t Show podcast. They talk about how difficult it was to make 2015’s Fantastic Four, from director Josh Trank’s erratic behavior to reshooting a third of the film months before releasing.